DETRITUS




“Intergalactic Soul Delirium II: The Elimination of Officer Kilgore Trout”

By:
T.F. Tait
           
I.

            A child collects bottle caps, blankets, loose silver, and, with hunger that rushes through her like rain down gullies, arranges them in a kind of room, a place to stay the night on the cobblestone. She plays the recorder—a simple tune—soft and composed of only a few measures that grasps for the concentration of the men who pass by. Her bed smells of spoiled meat, and on the middle of her thigh is the gray-blue grit of a bruise. There is a Collie that sits tolerantly at her side. It’s Labor Day 2011. Among the men that pass by is a certain Officer Kilgore Trout, and he sees her but it is hard to tell if he is actually aware of her, his attention is directly averted to an old man trying to urinate onto a moving tram. There are four or five others that are encouraging the man, and all the while he is singing in a language Kilgore can’t even begin to understand, in a firm, unyielding baritone:
„Každý den je svátek ve starém Václavském náměstí. . .“
            Trout passes out of the gate into Wenceslas Square, wearing black Levis, Nike sneakers, and a massive white Stetson, all the while drinking a 2L Pilsner Urquell out of a paper bag. Since his discharge from the Navy he’s been working as a road-laborer, and when there’s no work just traveling, and it just so happens that the Officer’s Alaskan Klee Kai’s just so darn cute he’s ended up in Prague for the 20th Annual Prague Dog Show. Other than that Trout’s simply been giving in to outside impulses, and tonight it’s the Absintherie, a touristy sort of joint that all of his friends guarantee to be one hell of a time. But to get there he’s got to take the 5, and it’s not coming until 22:35, a whole 13 minutes. Trout glances at his watch and immediately becomes exceptionally bored. He paces, slurps from his Pilsner, arranges and rearranges his hat, takes out his phone, puts his phone away, takes it back out and pushes some buttons. After what feels like an eternity the tram shows up, and he is taken away, rushing under the starry night past elaborate communist architecture, churches like giant brick monoliths, gray-green sculptures, and the hot stench of 24-Hour Herna bars…
            The tram screams up to Dlouha Trida, and K’s super excited for his first hard drink of the night, so excited that he’s essentially skipping out of the doors, (and perhaps he’s a little bit mushy from the Pilsner here, folks), but he looses his footing and all of the sudden the pavement is rushing towards his face and an alarming rate. So he tries to pull off a tuck and roll in order to look as inconspicuous as possible but its too late and BAM! right in the kisser. The normal guy would be down for the count but Trout’s a fighter. Trout rolls over onto his back and looks at the sky, and as the drops of blood from his forehead mix with the spilled beer and sodden sludge from the city street he really thinks for a brief moment in his bones that he might lay there forever and die.
            “Whoopsies”, he says.
            He gets up and walks through the topsy turvy Old Town streets to where the bar is situated. Weeknights out here aren’t too different than the weekends, so this part of town is already bananas with the clangor of funseekers, drinkers, and tourists that either just got off of work or just got in town for holiday. But Kilgore doesn’t really mind. It’s true that the extreme city life used to be more exciting for him though, back in he old days, before everything was high-rise, high-intensity, high-technology. . .
            “That you, Trout?”
            She sounds just like she always used to. He hasn’t seen her for a few years, nobody has. Back then she was always sandals, long hair, glasses, bottom half of a flower-print bikini. Now her hair is short, looking just like she swore she never would.
            “Kil, listen, I need your help. How about a drink?”
            “You look almost unrecognizable”, he tells her.
            “Thank you.”
            They step into the bar and order a shot. Trout feels like he just got hit in the face with a flaming piece of licorice.
            Cringing, “Damn Jess, this place isn’t my office you know. And besides, I’m here on business. Ignatius is going to run in the show here in a week. I’m trying to stay fit for the cameras.”           
            And indeed he is. Ignatius is one hell of a hound, blue eyes, grey/bone coat, 12kg and 33 cm/56cm; he's a noble stallion of the Klee Kais. And this is not the first dog show he's been in; in fact he's won a competition in Trout's hometown, Warren Ohio (The folks there said that the whole thing was rigged however, since the whole contest was organized, run, and judged by Trout himself). “Then why not compete in the US?” you ask, “Isn’t Prague a bit out of the way?” Well, wonderful question. It just so happens that Trout has competed a few times in the US before, but mostly with bad results. For example: Pucks N’ Paws Show, 2001, Nueva York City. It was a close race between Ignatius and Grundula the Norwich Terrier. It all came down to the Dog Agility trial, where the two canines had to run through a tunnel, the dogwalk (sort of like a flimsy raised bridge), a winged jump, two additional winged jumps, execute with finesse the teeter-totter, and finally the dreaded tire jump. Grundula’s performance was quaffable, but lost a few points dismounting the seesaw, although it was mostly a technical error from by his handler. When it came to Ignatius’ turn he started off magnificent, but right after exiting one of the collapsed tunnels and following through with a perfect winged single jump he totally lost his footing in the weave poles, crashing violently into a sandbag, which was used to hold up the earlier plastic tunnel. Trout couldn’t believe his eyes, he practiced this over and over with his darling Ignatius, it must have been a turf problem, and too much water makes it slippy, without a doubt. Trout was red with rage and fury. From them on it gets sort of blurry for Kilgore, but he can recall a certain conversation with the judges regarding things like “drop kicks to the face”, and “you don’t know what I’m capable of.” It got really good when he said, “Give me your fingers, I swear to God I’ll peel them back like they were ripe bananas.” But it was useless, Grundula took the Gold Prize and Kilgore was banned from competing in the US ever again. But no matter, he doesn’t really like the way most people in the US treat their dogs anyways, particularly in New York City. Every public park restricts the dogs to a level of near absurdity, they allot a tiny plot of land for each dog to play around with his owner, except every owner has to share that tiny fenced-off plot with 10 other dog owners, while the rest of the park sits there unused. It’s sheer stupidity. Not like Prague, no. In Prague there is not a single canine leashed, much less muzzled, and they can run and shit and piss wherever their tiny little heart desires. 
            “I don’t feel well, Kil. I’m tired to death. And I’m really sorry to burst into your life again like this. I know we haven’t spoken in a really long time, I mean, since you left to work on that submarine and I came out here to work for Globus, but things have really been getting sort of peculiar around here. I mean, I got a message the other day”, says Jessie, jolting K out of his reverie.
            No time for catch-up, Kilgore thinks to himself. Darn shame too, he’s feeling pretty drunk and slightly horny right about now, he hasn’t exactly been romantically engaged these days. Despite this he attempts to stay totally interested in her conversation:
            “Message. . . I seeeeee.”
            He lights up a Pall Mall and looks out the window.
            ‘What through Facebook? What are you so scared about?
            Jessie continued to tell him what was really wrong, some seriously messed-up stuff that chilled Kilgore straight down to the deepest, darkest pits of his being. It turns out that one of Jessie’s friends, Ms. Gwindlyn Bugeja, tragically died in a motor accident. She was riding her 2009 HD Iron 88 down the interstate and got nailed by a drunken person handling heavy machinery. Cars are serious weapons, she tells Kilgore, a speeding metal rocket that weights 4,000 lbs, it’ll smoosh you like a breadcrumb. Bugeja didn’t stand a chance. It’s tragic. She was only 34. But here’s where it get’s sort of peculiar, she continues, the Facebook message she got the other day was from Bugeja. She can’t understand it. It’s only a week after the funeral and somehow she was contacted by the recently deceased, it was a cry for help, somehow Bugeja is still existing, somewhere in cyberspace, floating around them like a ghost of data and numbers. She’s convinced it’s not a joke, no one would be that psychotic to do something like that, and ever since she’s be struggling with a crippling psychic delirium that even the strongest whiskey can’t kick, and Kilgore’s just sort of staring at her, confused as to whether or not this whole thing is a joke and why me, why me, but Jessie’s just continuing, letting the words flow out of her mouth like rain. She’s gotten two more messages since, and they are always the same.
            “What is the message?”
            At that moment the door to the Absintherie burst open and a young man with lime green Ray-Ban sunglasses jumps through. He’s holding a boom box on his muscular shoulder and he has a sleeveless tank top that says Keg Stand Champ upside down. Kilgore actually finds it pretty clever.
            “Alright, bros!” He calls out, “It’s precisely 9:32PM in Bro-hemia!” He pauses for a second and looks around the room. “Commence drinks to the FFAAACCCEEE!!!”
            All of a sudden an army of teenagers all looking exactly the same come flying through the miniature door of the bar, it’s got to be about 20 of them cramming into the tiny space, all rushing to the bar for a drink. The Bro Leader places the stereo on a table and puts on “I Don’t Really Care” by Waka Flocka Flame (Ft. Trey Songz), and pulls a .5 liter Kozel can out of his pocket, which he immediately begins to shotgun, finishing the whole thing in a matter of seconds.
            “Holy shit”, from Kilgore.
            “Jsem kurva nenávidí Američany”, mutters the bartender.
            There’s pandemonium everywhere, Absinthe Mojitos flying left and right, Absinthe ice cream and slushies being consumed at alarming rates, Chupitos, Choosey Tomcats, Absinth Sperms (really? That’s a real shooter name?); people are kissing each other’s necks and faces and hands and touching each other all over, tables are being danced on and crumbling into pieces, a Bro slips on a spilled Mohito and nearly cracks his head open on the counter but gets right up and keeps partying, another two Bros are in fisticuffs over who drank more beer, Jessie could swear she sees a dildo made out of gold out of the corner of her eye, and Kilgore and Jess are just looking around them in an amazement that is remarkably close to disgust, and before Trout knows it there’s a couple flaming B-52’s directly in front of him on the countertop. 
            “Have you ever done drink for drink with the Bro-King?” The young man with the tank top asks him.
            Rapidly the whole room becomes completely silent. 

* * *

            Cut to Beelzepub Herna Bar, Holesovice. It’s 2:30AM, two traditional Czech men sit among the smoky interior, surrounded by the buzz and clangor of erratic slot machines, reflecting flashing yellow and orange lights on their pale faces. The entire space is dark, like a massive void, except for a tiny blue light shaped like a money sign above their heads that acts like a neon blue dynamo. On the television screen there is a police officer violently beating a man with his nightstick. The man falls to the floor, powerless and insensible.
            Jan hits the jackpot: “Yeeeaaaoooo!!!”, he howls, smacking the side of the machine with his free palm. The other holds a cigarette that is burning down to the filter. Koruna shower out the slot of the mechanism. Silver rain. After he collects his reward he steps back to his table and lights another cigarette. Hansa joins him with a beer in his hand.
           
            (translated from Czech)
           
            JAN:                         “So Hansa, what d’you wanna do tonight?”
            HANSA:             “Well, I don’t know Jan…”
                        Silence. Both take a long slug from their glasses.
            HANSA:             “O! I got it! Let’s defen’strate somebody!”
            Together:             “Yeeeaaahh!!!”
            JAN:                         “Who d’you wanna defen’strate Han?”
            HANSA:             “O, o, o, how ‘bout that Tomas fella? I hear he peed all over the                                                 Cerny             statue last week.”           
            JAN:                         “Yeeeaaahhh—O, but wait… We defen’strated him yesterday…”
                        Both sigh.
           
            But wait, out of the window they see a figure, he’s cloaked in the dimness of the murky Holesovice morning. The two men can abstractedly make out a white hat on his head. And they’re moving, moving out the doors to see who the figure can be, who the figure can possibly stand for . . .

* * *

            “This is all falling apart”, Kilgore thinks to himself. “And when it does, I will think of home.”
            Kilgore remembers Jessie from his hometown in Ohio. Back then she was young and beautiful, having a particularly unusual beauty, much like the sun when the sun goes down. Back then she loved the books, fruit, sun, clouds, and stars, and at night when the sun was going down she would walk out onto her balcony and look at the sky. All the men of Warren, Ohio wanted Jessie, even when she was a child.
            Kilgore first met her on a train to New York. It was a long ride, full of silence and sleep, and the pattern on the seat covers was olive green with scattered, blue ovals.
            She turned to Kilgore after a brief introduction, “It looks like a peacock”, she said. “It reminds me of a story my grandmother would tell me as a child. The young boy, studying that autumn in junior high, watched house for a week. It was the home of an angel, and he needed to meet him, for he knew that angels had the capacity to enter any object and arrange its appearance—God had put them on Earth to make it more beautiful, and the boy believed himself to be very unattractive. One day, as he was walking back from school, he came to the angel’s door and asked him if he could mold his unsightly being to be naturally beautiful. He turned to the boy and said, ‘I would like that too, but I don’t think I could.’ And when the boy didn’t understand, ‘Every time I change something’s exterior I forget something about myself.’ The hope and radiance that the boy carried around his belly and chest cavity withered, very quickly, and he made himself look at the angel when he said, ‘But it is for you.’ The next morning the boy awoke in his bed as a peacock, and, feeling very concerned, he walked back through the pines to the angel’s house to have the transformation corrected. The home looked to be empty, but after walking passed the fence to the backyard the boy noticed the angel dead in his swimming pool—he must have forgotten how to swim.”
            Kilgore was devastated by the tale.
            “Can I put my head on your shoulder?” He asked.
            “Yes,” she replied.
            They sat like that until they reached New York City.    



II.



            Things are not going well. The Bro-King has enslaved Kilgore into a battle to the death. At this point he won’t even attempt to stand, if he did he would surely fall flat onto his face, and yet he’s successfully keeping his composure. To him (Kilgore) this is suffering, but to the Bro-King this is art, his art, his method of overcoming the outside, evil forces surrounding him, conquering, claiming his will over nature. And there can never be art without suffering, one can say.
            “Another Absinthe Sperm!” A voice calls out. They’ve lost count. Kilgore can’t even tell how many people are in the room, things are doubled, tripled, floating and twirling like a slipshod performance of Swan Lake. The crowd surrounding them is silent and focused. It’s like they’re holding their breath, afraid that the slightest change in the room’s density will cause one of the artists to make some faulty maneuver, ultimately making the entire competition void.
            Gulp. Down the hatch. Another sperm is waiting. It’s fucking staring at him the face, laughing with a hideous, toothy, shit eating grin. It goes down with some added effort on Kilgore’s part. The crowd shutters. Whispers from a couple bystanders. Two of the Bros bet 100Kc that Kilgore is going to go into cardiac arrest. There’s sperm everywhere, floating around in his stomach, in front of his face and whispering in his ears: Sperm. Sperm. He can’t shake it. If he keeps this up he’s going to turn into a sperm for Chris sakes. I mean you are what you eat right? Or drink I suppose (heh-heh). Another one. Things are becoming ambiguous, murky, Kilgore can feel himself entering a void, it’s surrounding him like a round, gigantic disc, like heaven, or perhaps the green, rubbery vacuum of hell. He can smell the taint of its nothingness. Or maybe that’s just the considerable amount of liquor he’s consumed burning a hole in his intestinal lining. Sluuuurp. He can’t make out the figures surrounding him, they are ghosts, mere outlines. There is a moist piece of flesh in his mouth, pink and muscled. Teeth surround it and lips surround the teeth. It is nice, and for a moment he feels un-alone. But the abyss is growing. All of a sudden he’s falling into it, the massive black void, it swallows him up, and he dissolves into the immense, swirling specter of its oblivion.            
            Well folks, now something a little weird happened here—and don’t ask me how the hell this happened—but it turns out Kilgore is now in his own cock—well his balls to be precise—actually reduced to a teeny-tiny spermatozoon, surrounded by his entire gamete family tree. Oh hey Mikey, how’s the kids these days? No time for chit-chat soldier, nuh-uh, this is bizness . . . Officer K. Trout now notices a streetlight in front of the giant army of sperm cells and its getting warmer, the stationary red light on, things are vibrating, getting stimulated, stirring stirring and everyone’s totally focused on that little red light, waiting for the exact moment when they can race, race, race for the prize, the light at the end of the tunnel. Suddenly it flashes to green and BLAST OFF! Now everyone is swimming and giving all the chutzpa they can possibly muster, heaving, panting, pursuing the magic, gleaming light. Its getting closer, soon it will be here, all surrounding, like a giant disc from above . . .
            The light surrounds, it’s percolating through the tiny cracks of the shutters, sprinkling drops of luminosity on Kilgore’s nipples and brow. He rises out of bed and looks around the room, at the armoire, desk, a bookshelf half empty. Where is he?


III.



            It took approximately 3 minutes for the paranoia to set in, a crippling psychic stress that slowly tip-toed its way into Kilgore’s bones, and before he knew it he was galumphing around the room looking for the slightest clue as to his approximate location. His search would be going a lot better, but naturally he is exceptionally hung over. He feels sort of like he got hit in the face with a mountain, if that is any clue. And his stomach; well, lets not even go there. Oh yeah, and about a minute into the search he realizes he’s ass naked. He puts on his Stetson, thinking that the pressure might relieve the foul mess inside his head, but as expected nothing changes.
            The room is small, only one open window and potted plants on nearly every flat surface offered. Judging by the room color—a magenta carpet with light orange walls—Kilgore assumes it is the abode of a female, and starts fishing through the cluttered desk, through the jars, bottles, candy wrappers, half empty coffee cups, wine bottles and cigarettes assumed to be left over from the night before; there’s a half empty can of salsa next to a bag of chips, condoms, chicken nuggets, a Raymond Chandler book (Jeez, whoever he spent the night with is an absolute slob), cough drops, and then it hits him. Jessie, you dumb bastard. He picks up an opened envelope with her name and address on it. At this moment in time, of absolute realization, he can’t tell if the weight he was carrying around in his stomach, the delirium of being totally and completely lost, disoriented, and misplaced, died, rather quickly, or just welled up into his throat and made him want to vomit like a little baby. Well yeah but then where the fuck is she? (Yep, the paranoia is not gone, that’s for sure). Did they get her? Man O Man, she was totally for sure kidnapped, man . . . What the fuck am I gonna do?
            Now, lets not jump to conclusions here, Kil. Sure, things look super fishy, but maybe we should try to take things slow, maybe try to find out some info., you know, with the internet or something. Isn’t that cool, that you can share all sorts of information like that, that you are exactly the same exact distance away from finding out how to get in touch with Jessie and massive amounts of pornography? Just the click of a button. O yeah.
           
            Well I'm totally and completely lost, thought Kilgore to himself as he stepped down into the cobblestone streets surrounding Jessie's apartment. Haven't been lost this bad for several years, not since '97 when me and Cherokee Joe met those cannibals in Southern Africa.
            Luckily at that time Ignatius rolls up, tongue hanging out of mouth, and jumps up to greet Kilgore with a big lick on the face.
            "Wow!" Said Kilgore out loud. "Is that really you Doggo?"
            He checks his underbelly for reassurance. Luckily there he finds a brown spot of fur that is shaped like a tetrahedron directly above his left thigh.
            "It's really you! Let's get into town and save Jessie!"
            Ignatius takes a shit on the street, and then begins trotting away towards the nearest tramvaj stop. That way they can take a short excursion into Old Town, where hopefully some information about Jessie and this mysterious Globus Corporation can be revealed.
            On the walk down the street they run into a young man and woman.
            "Hey, killer hound, brother."
            "Oh, danke schön. His name's Ignatius. Had him for a solid 11 years and he still looks like a spring chicken."
            "Yeah man. Hey, you want a cigarette?"
            "Do bears shit in the woods?"
            They both light up a Camel.
            "Oh yeah, and this is my girlfriend, Petra. Like the Greek word for stone or sort of like petrified shit, except she doesn't smell like that. More like fungus growing on an aspen trunk."
            "Like what?"
            "Like fungus growing on an aspen trunk a.k.a. the sweet scent of hibiscus languidly in the summer breeze a.k.a. a gaggle of beavers building a damn in the Adirondacks a.k.a. the salty radiance of the ocean breeze a.k.a. a stag immediately after a sun-shower in the middle of August a.k.a. when you make birthday cake but you put in 1 cup too much baking soda a.k.a. precious dandelions dancing in the summer moonlight."
            "Isn't that sorta presumptuous?"
            "Nah, man."
            "Groovy."
            "How old are you?"
            "Hey, I'm actually looking for a lady as well. Perhaps you can lend a hand. Do you have a computer?"
            "See, I knew you were an old-school kinda cat. It's 2011. Yes, I have a computer. And Internet access on my phone at all times. But right now I'm heading to campus, I have class in 20. Wanna come? You can use the Internet there and find out everything you ever wanted."
            "Sounds good to Uncle Trout."
            "Then follow me."
            So the four hop on the next tram that arrives, and it’s approximately 20 minutes until they arrive in front of a sandstoney sort of colored geometric building in the city center. It turns out its Charles University, and Kilgore's newfound acquaintance studies there, majoring in Visual Praxis with a minor in Storytelling.
            They enter the front door and are immediately accosted with horrific smells.
            "Sweet dancin' Jesus in a dress that's some exceptionally evil smelling shit," Kilgore says.
            "Oh no," says the student. "This is big shit."
            "Please elaborate on this smell."
            They stroll down the hallway and observe the horrendous scene. Students are galumphing down the hallways, with pale faces, eyes nearly rolled back into their brains.
            "I'm not kidding. Big shit. Probably diarrhea."
            "Excuse me?"
            "This has happened before, but only once."
            A student looking strikingly like a zombie drags his body up to them and then vomits onto the floor. The students surrounding them are either lying on their backs, or sprinting to the toilets to let out a nasty excretion.
            "What the fuck is this?"
            "The internet is down. Everyone reacts differently around here. It's sort of hard to get used to life without it. Sometimes you just gotta lay down because there's not too much else you can do if you don't have the capability to surf the web. And lying down is usually your best bet, because the withdrawal makes you feel totally shitty, like you just woke up from the worst hangover of your life except you're kinda wired too and can't fall asleep for hours. And then there's "the tweaks". Little compulsive twitching that creeps into your joints and you sit there clicking an invisible mouse, staring in front of you except your not really looking at anything. That's the one that freaks me out the most and it only happens to serious Net-users. Last time it happened I just wound up talking a great deal louder, I felt like I needed to make up for the absence of constant music or just the presence of a kind of anonymous, digital noise or something. Actually, I might need to go."           
            He runs down the hallway, pushing the zombie students out of the way and rushes into the closest commode. You can hear the noise of him voiding himself echoing down the hallways, accompanied by the moans and whimpers from the throats of wasted students and children. It all dissolves into itself, into an unspecified, nameless racket as it enters Kilgore's cochlea. For a moment in his bones the Internet is round, a giant disc that surrounds him and everything ever—an infrastructure of interconnected networks and diagrams and data and numbers that is undetectable but simultaneously present and infinite at all times—like Heaven or the green, rubbery vacuum of Hell; its neither here nor there and yet it is everywhere. But behold! Where is it now? Where is Kilgore now? It was this, now it’s that. He can feel himself being dispersed, dissolving, being crushed by the machine into anonymous digital noise . . . But there never was anything but the atoms and the void, claims Democritus . . . Yet how sweet, how loving, how wet, how noxious, how kind, how warm, how light it is . . .